Wednesday, May 31, 2023

Detroit, Ian Hunter outtake from the Schizophrenic sessions, Long Odds and Outtakes,

The Detroit out take can actually be found in three versions: a rough mix and instrumental, take 1, and a vocal out take 5. The track is from the Schizophrenic sessions. It is catchy with a good beat but unfinished and missing complete lyrics to fill the track out so only outtake 5 has lyrics. It sounds like a work in progress but the idea for the song is that it is an ode to the American car industry as it was losing its dominance against Japanese competition.

Bassist Mark Clarke drove one of the big American cars Ian had when he loaned it to him for a couple days. It is depicted in Creem Stars Cars. 

On Track Ian Hunter 

On Track Ian Hunter: https://www.amazon.com/dp/1789523044...
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Detroit (Out-take 5 - vocal)

(Ian Hunter)

He used to ride through the streets, crying through the alleyway
Freezing cold in the early morning light
Out to get a salary
Detroit, Detroit
TV image ain't gonna pay the bills
Big big cars
Detroit, Detroit
The fan
Detroit, Detroit
Big big shots
Got their heads in the sand
The usual
(buzzing cars noises from Ian)
You're late
Detroit, Detroit
He's a working man
Ghost town
Ghost town
(indistinguishable sounds, laughs)
The loneliest man in the world


At the end of 1980 Ian returned to the studio to record the follow-up to Schizophrenic and Welcome To The Club. Mick had effectively stopped playing live earlier in the year, and Ian himself was unsure which (musical) direction to take. He got Mick Jones as producer, and on paper the fusion of Mott The Hoople with The Clash should have produced a phenomenal album.

I'll make no bones about it - I hate this album. The material is mixed, and the production (and all the sound effects Mick Jones added) IMO ruined the good songs on it. At the time Ian liked the album, with Mick using different production techniques in the studio. But today he hardly ever plays material from it, a sure sign that it ain't up there with the best.

The 2-CD set offers excellent packaging and excellent sound quality. The original album is on one CD, and a second CD ("Long Odds and Out-takes") containing alternate mixes and unreleased material from the Chrysalis era.

Detroit (rough mix - instrumental)3:42An outtake from the Schizophrenic sessions, this version can be found on the outtakes CD Long Odds and Outtakes, and on Tilting The Mirror - Rarities (box set only).
Detroit (take 1)4:01An outtake from the Schizophrenic sessions, a different version (and 20s longer) can be found on the compilation From The Knees Of My Heart. Not on the box set.
Detroit (outtake 5 - vocal)4:00An outtake from the Schizophrenic sessions, this version can be found on the outtakes CD Long Odds and Outtakes, and on Tilting The Mirror - Rarities (box set only).

Tuesday, May 30, 2023

Death Of A Nation, Ian Hunter, Rant.

With Death Of A Nation Hunter addresses social decline in the "cradle of civilization" and on a political LP this is certainly one song that qualifies as such if not one of the most politically astute in the Hunter canon. It is a protest and a love song. The song has almost a folkish tinge as Ian laments the death of England that Winston Churchill grasped; the current crop of second rate politicians are responsible but Ian notes they are getting away with it. As Hunter notes he would love to live in England but in a related song Ripoff it gets to him. Ian said that it's about a lack of confidence in the British ruling classes. He confesses that it was a difficult song to wrote but from his relative distance living the United States he had an opportunity to speak. Like many youth we believe our land is the best but once you develop a mature perspective you realize you are not as free as you thought. Hunter equates Bill Clinton and Tony Blair. It's clear the Hunter believes it is tragic and he still loves his native land and will never say goodbye. Kids in the UK and the USA believe we are free but as we mature we find out that we were used, molded, and not as free as we thought. 

It is also available as a live version on Bag of Tricks, Vol. 1 from 2002. 

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Death Of A Nation is next, some of you may remember it from last year's tour. Almost folkish in places with acoustic guitar, Ian laments the decline of the England that (WW2 leader) Churchill would have known, and has a message for the politicians responsible for it all: "But you've been getting away with it for far too long/Your promises ain't worth the paper they're written on". In terms of pace and delivery it is reminiscent of God (Take 1), I can see it becoming another live favourite.


Death of a Nation

(Ian Hunter)

I was having a drink with Prince Charles and the Queen
When Winston Churchill stepped into my dream
His head it was heavy, his voice was shakin'
He said, "Look what they've done - it's the death of a Nation"

I followed his shadow right out of the bar
And we talked all night 'neath the light of the stars
He said, "This used to be a cradle of civilization
Now look what they've done - it's the death of a Nation"

Everything's illusion now, nothing's what it seems
Money isn't everything, when you're turning your back on a dream
I held you together when you were breakin'
You can pull down the flags- it's the death of a Nation

Don't say goodbye, don't say goodbye,
'N we'll never die, no we'll never die
Don't say goodbye, don't say goodbye,
'N we'll never die, no we will never die

From the bottom of this ancient heart
I hate to see you falling apart
Cos I love you still, I love you still, I love you still

You've been getting away with it far too long
Your promises ain't worth the paper they're printed on
I had a love, but that love's been forsaken
Look what they've done, it's the death of a Nation.

Don't say goodbye, don't say goodbye,
'N we'll never die, no we'll never die
Don't say goodbye, don't say goodbye,
'N we'll never die, no we will never die

Don't say goodbye, don't say goodbye,
'N I'll never die, no I will never die
Don't say goodbye, don't say goodbye,
'N I'll never die, no I will never die



Ian's first studio album since The Artful Dodger finds him in a determined mood with a lot to say. Always at his best when he feels he has something to say, Ian is on the warpath with this one, his most politically charged in over 25 years. And boy has he delivered, an album that will stand the test of time mixing belting rockers with poingant ballads.

Opening track Still Love Rock 'n' Roll is a nod to the music that inspired Ian in the first place, a great mid-tempo rocker, Chuck Berry meets Little Richard covering all points in between but with a fresh perspective. I can see this being in the live set for years to come. Wash Us Away is a great slower number that grows on you, you'll soon find yourself humming the tune when you're busy doing something else.

Death Of A Nation is next, some of you may remember it from last year's tour. Almost folkish in places with acoustic guitar, Ian laments the decline of the England that (WW2 leader) Churchill would have known, and has a message for the politicians responsible for it all: "But you've been getting away with it for far too long/Your promises ain't worth the paper they're written on". In terms of pace and delivery it is reminiscent of God (Take 1), I can see it becoming another live favourite.

Morons is an up-tempo rocker, with plenty of piano, reminiscent musically of Marionette and lyrically Crash Street Kidds where Ian positively spits venom at the politicians and media for treating people like... well, morons: "Read moron newspapers, watch moron television... Etonians, Harovians think they're the chosen ones", and later "Look at those morons! They do nothing but whine and they're slow all the time... We can leave 'em behind, while we're dumbing them down we'll be robbing them blind!"

The subject of the high cost of living in England crops up again later, like in American Spy where Ian notes "Always in the red, never in the black/You make a bit of money and they take it all back/This ain't no way to spend the rest of my life" and in the more obvious Ripoff: "I really don't know why England's such a ripoff" and, he notes, "Some day you might win the lottery/Some day you might win the pools/But that's all you've got to live for" which for an awful lot of people isn't to far from the truth.

But it isn't all political, as Ian shows time and again he can write beautiful ballads that hit the emotional nail right on the head, such as Knees Of My Heart ("Slipped the ring on your finger/It's still there to this day" and "Honest and faithful, loyal and true/Where would I be if it were not for you".

Soap 'n' Water is direct and to the point, being directed at someone else entirely: "I can't believe what you did, you know how to hurt/All you do is drag old memories through the dirt".

This is a CD that takes a couple of plays to hit you (Ian never makes it easy for his fans!). But believe me, there is quality and depth here that will reward repeated playing. The (US) CD comes with an insert that folds out to reveal full lyrics and musician credits - I can only assume the UK CD will do likewise. All in all, highly recommended.

Death Of A Nation5:35Originally issued on Rant.
Death Of A Nation (live 19th May 2002)7:15This live version (recorded Life Cafe, Manchester England) can be found on Bag Of Tricks (Vol 1) (box set only).

Monday, May 29, 2023

Death May Be Your Santa Claus, Ian Hunter, Bag Of Tricks (Vol 2)

Originally Death May Be Your Santa Claus was a Mott The Hoople track on Brain Capers and it was co-written with Verden Allen. The first title of the song was harmless as How Long but it was the mind of producer Guy Stevens to go with the more sinister title that emerged. The title came from a 1969 art film of the same name which presents the nihilistic visions of a young black European militant. Hunter thinks it is just ok but it is one of the most compelling compositions of Ian's work and is performed well live. Verden contributed a great deal to the track. 

The live version from 2002 was coupled with Rock 'n' Roll Queen and not released until Bag of Tricks (Vol. 2). It was recorded at The Life Cafe, Manchester UK 19th May 2002.

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A corn exchange is a building where merchants trade grains. The word "corn" in British English denotes all cereal grains, such as wheat and barley; in the United States these buildings were called grain exchange. Such trade was common in towns and cities across England until the 19th century, but as the trade became centralised in the 20th century many such buildings were used for other purposes. Several have since become historical landmarks.

In the United States, the Minneapolis Grain Exchange is still used to manage the commodities and futures exchange of grain products.

Death May Be Your Santa Claus

(Ian Hunter/Verden Allen)

How long 'fore you realise you swing
How long 'fore you realise you sting
From the good to the bad to the ugly change
How long 'fore you start to rearrange
How long how long 'fore you realise that all's strange

How long will it take to turn you around
How long will it take to bend you down
It makes you believe in the [real] exchange
How long will it take for me to rearrange
How long how long 'fore you realise that all's strange

Well I don't care what the people may say
I don't give a - anyway
I don't care what the people may say
I don't care what the people may say
I don't give a - anyway
I don't care what the people may say

How long 'fore you realise what you missed
How long 'fore we get out and may get pissed
You get all the books from the Corn Exchange
Really mad at this outrage
How long how long 'fore you realise that all's strange
I don't care what the people may say
I don't give a - anyway
I don't care what the people may say
I don't care what the people may say
I don't give a - anyway
I don't care what the people may say

How long
How long
How long
How long
Won't you tell me how long
Won't you tell me how long
Won't you tell me how long
Won't you tell me how long
How long will it take
How long will it take
How long will it take (yeah)
How long will it take

Your

Originally a Mott The Hoople track. This live version (coupled with Rock 'n' Roll Queen, recorded Life Cafe, Manchester England) was originally issued on Bag Of Tricks (Vol 2) (box set only).


Death May Be Your Santa Claus (live 19th May 2002)(9:11)Originally a Mott The Hoople track. This live version (coupled with Rock 'n' Roll Queen, recorded Life Cafe, Manchester England) was originally issued on Bag Of Tricks (Vol 2) (box set only).

Sunday, May 28, 2023

Death 'n' Glory Boys, Ian Hunter, All Of The Good Ones Are Taken

Death 'n' Glory Boys is a political song and a straight forward denunciation about the stupidity of continually sending the young off to war. It should be clear that the song is inspired by the trauma of war and Ian has confirmed that the song is about the Falkland Islands war and Prime Minister Margaret Thatcher's adventurism. The conflict cost a great deal of money and young lives but the song can be applied to any unnecessary warfare. Hunter's daughter was seventeen years old then which hit home for him that a child that young could be killed in war. 

Fortunately, since on most of the record he is absent, Mick Ronson offered a blistering guitar solo with Ian next to him. Hunter reports that Ronno forgot the chords so he was winging it. When Ian saw Mick freeze Ronson said afterwards `Well, if you're lost, you might as well stay where you are." Priceless! 

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Death 'n' Glory Boys

(Ian Hunter)

Get your son - young 'n' dumb
Give him a gun - make him run
Hot stuff - on a Saturday night
Wait a minute - this ain't right

It's that same old story
Talkin' 'bout the death 'n' glory boys
When your head is on the scaffold
'N' your ass is on the line
You gotta give it that old religion
One mo' time
Get the death 'n' glory boys

Midnight - no light
Cool sand - like mud in my hands
Got this feelin' - in my hair
What's that movin' - I ain't a scared

It's that same old story
Freak out with the death 'n' glory boys
When it's down to stealing apples
'N' you been doin' time
They can buy the hero in you
For a dime
You're a death 'n' glory boy

You'd better pack up your troubles
In your old kit bag
Say goodbye to your mother
She's the only friend you have

Long live the leaders
Long may they reign
May they live long enough
To feel every single pain

They don't care about the widows
They don't give no reasons why
They just keep on making medals
You can buy

From the death 'n' glory boys


Ian Hunter LP/CD: "All Of The Good Ones Are Taken"

Sleeve and track listing

Sony/Columbia 474780 2. (1.5 stars!)

  1. All of the Good Ones Are Taken (3:42)
  2. Every Step of the Way (3:55)
  3. Fun (4:21)
  4. Speechless (3:49)
  5. Death 'n' Glory Boys (5:57)
  6. That Girl Is Rock 'n' Roll (3:18)
  7. Somethin's Goin' On (4:33)
  8. Captain Void 'n' the Video Jets (4:12)
  9. Seeing Double (4:24)
  10. All of the Good Ones Are Taken (3:48)
  11. Traitor1

1 Bonus track on the 2007 CD

Review

Ian recorded this album at the end of 1982, and is a real mix of styles. Mick Ronson was absent, as he was seriously considering quitting the music business ("At one point I was even considering becoming a chef" - Mick). Strongest tracks are Speechless (later to be covered by Status Quo), and the title track. Every Step of the Way was also later covered by The Monkees on their Listen To The Band box set.

Side two closes with a slow version of All Of The Good Ones Are Taken, while side one opens with a fast version. The original version was "lost", but the record company persuaded Ian to re-record it ("But I couldn't get the feel back" - Ian). The fast version was released as a single, which was accompanied by a video which was shown for a while on MTV.

Death 'n' Glory Boys5:58Originally issued on All of the Good Ones Are Taken, and on the compilations GoldOnce Bitten - the CBS Collection and The Singles Collection 1975-83

Saturday, May 27, 2023

Dead Man Walkin' (Eastenders), Ian Hunter, Rant

Dead Man Walkin' (Eastenders) is a mostly uptempo and political LP but with this song Ian diverts his attention to a more personal touch. It is one of Hunter's favorites containing a mesmeric blend of piano, groove box and drums. The figure depicted is in decline and facing mid-life monotony. In fact, it's a sensitive song with hand-holding, trembling, and reminiscing about early days of being together what are often called the honeymoon phase. Then, the man is now conscious of his mortality, achievements in the past, and now lacking in freshness. The dead man walking is not on stage or on television as the EastEnders British drama which tackles controversial or taboo topics. Inundated with TV, computers, and video games nothing is fresh and people are too depressed to think. Oddly, the song arose by hitting on a wrong note and stumbling across a spark of inspiration. 

Ian could simply be referring to himself not in the limelight and aging with no one calling. Hunter is saying life is the real thing and he's walking to the end. It's brutal self-assessment. During mid-life often people are like dead men. Life is boring and often there is a crisis since we realize that we are past our peak. At the time of writing, Hunter had no label, musicians, and no access to get his music out. In your forties nothing is new and life is not as much as fun as when you were younger. At fifty, the idea of mortality starts you thinking more about your looming death. 

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Yeah Uh-Huh by Lisa and Phil
https://youtu.be/r46AbOSo-MM?si=uuWy3T8rQjhnGkwS

Tell Me About Your Book, The Phenomenal Musician John Christian who is not from Great Britain
https://www.facebook.com/keepitasahobby/posts/pfbid09pnutefvQEpSF8uz8jMTipnWEhR23axesLKoRysawg9MLcKZxLs1xNFQ5ogADRedl?mibextid=YxdKMJ

Set Lusting Bruce with Jesse Jackson
https://podcasts.apple.com/.../set.../id1038228650...

HODGEPOD with Rob Fredette
https://www.podbean.com/ew/pb-bgfx7-14962b2

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A (male) prisoner on death row who is walking to the place of execution

EastEnders has been important in the history of British television drama, tackling many subjects that are considered to be controversial or taboo in British culture, and portraying a social life previously unseen on UK mainstream television.[2]

Dead Man Walkin' (Eastenders)

(Ian Hunter)

I've been here before - this is where my fingers slipped into yours
This is where I trembled - when you touched mine
This is where the seeds we planted long ago
Grew up to tell us we're too old to know

I've been here before - this is where the novelty starts wearing off, wearing off, wearing off
And all the world's a stage - it's just that I ain't on it anymore, anymore
This ain't Eastenders, this ain't Eastenders, this ain't Eastenders, it's the real thing
What am I supposed to do now?
Crawl down the hole of monotony - monotony - monotony - monotony

The silence is deafening - the phone never rings
Won't somebody help me cos - I feel like I'm drowning
If I should sink - if I should swim
It doesn't really matter anymore - Dead man walkin'

I've been meaning to tell you for oh so long
Baby you got it right 'n I got it wrong
Now I know what ageism means - you gotta try a little harder
you gotta be a little stronger

I've been here before - this is where nothing happens anymore, anymore, anymore, Someone else's rage - someone else's pain
Someone else's ego - you will believe, you will believe

This ain't Eastenders, this ain't Eastenders, this ain't Eastenders, it's the real thing
What am I supposed to do now?
Sink to the bottom of obscurity, obscurity, obscurity, obscurity

It's a foregone conclusion - a fait accompli
It's all taken care of - you don't have to worry
If I should lose - If I should win
It doesn't really matter anymore - Dead man walkin'


Ian Hunter CD: "Rant"

Sleeve and track listing

Fuel2000/True North TND 235. (4 stars!)

  1. Still Love Rock 'n' Roll (4:34)
  2. Wash Us Away (3:57)
  3. Death of a Nation (5:35)
  4. Morons (5:32)
  5. Purgatory (4:46)
  6. American Spy (4:30)
  7. Dead Man Walkin' (Eastenders) (6:20)
  8. Good Samaritan (4:07)
  9. Soap & Water (5:18)
  10. Ripoff (4:50)
  11. Knees Of My Heart (3:35)
  12. No One (3:37)

Running time: 56m 47s

Sleeve variations

UK sleeve

Review

Ian's first studio album since The Artful Dodger finds him in a determined mood with a lot to say. Always at his best when he feels he has something to say, Ian is on the warpath with this one, his most politically charged in over 25 years. And boy has he delivered, an album that will stand the test of time mixing belting rockers with poingant ballads.

Opening track Still Love Rock 'n' Roll is a nod to the music that inspired Ian in the first place, a great mid-tempo rocker, Chuck Berry meets Little Richard covering all points in between but with a fresh perspective. I can see this being in the live set for years to come. Wash Us Away is a great slower number that grows on you, you'll soon find yourself humming the tune when you're busy doing something else.

Death Of A Nation is next, some of you may remember it from last year's tour. Almost folkish in places with acoustic guitar, Ian laments the decline of the England that (WW2 leader) Churchill would have known, and has a message for the politicians responsible for it all: "But you've been getting away with it for far too long/Your promises ain't worth the paper they're written on". In terms of pace and delivery it is reminiscent of God (Take 1), I can see it becoming another live favourite.

Morons is an up-tempo rocker, with plenty of piano, reminiscent musically of Marionette and lyrically Crash Street Kidds where Ian positively spits venom at the politicians and media for treating people like... well, morons: "Read moron newspapers, watch moron television... Etonians, Harovians think they're the chosen ones", and later "Look at those morons! They do nothing but whine and they're slow all the time... We can leave 'em behind, while we're dumbing them down we'll be robbing them blind!"

The subject of the high cost of living in England crops up again later, like in American Spy where Ian notes "Always in the red, never in the black/You make a bit of money and they take it all back/This ain't no way to spend the rest of my life" and in the more obvious Ripoff: "I really don't know why England's such a ripoff" and, he notes, "Some day you might win the lottery/Some day you might win the pools/But that's all you've got to live for" which for an awful lot of people isn't to far from the truth.

But it isn't all political, as Ian shows time and again he can write beautiful ballads that hit the emotional nail right on the head, such as Knees Of My Heart ("Slipped the ring on your finger/It's still there to this day" and "Honest and faithful, loyal and true/Where would I be if it were not for you".

Soap 'n' Water is direct and to the point, being directed at someone else entirely: "I can't believe what you did, you know how to hurt/All you do is drag old memories through the dirt".

This is a CD that takes a couple of plays to hit you (Ian never makes it easy for his fans!). But believe me, there is quality and depth here that will reward repeated playing. The (US) CD comes with an insert that folds out to reveal full lyrics and musician credits - I can only assume the UK CD will do likewise. All in all, highly recommended.


Dead Man Walkin' (Eastenders)6:20Originally issued on Rant, also on the compilation The Journey.
Dead Man Walkin' (Eastenders) (live 29/30th January 2002)7:00This live version (recorded Sentrum Scene, Oslo Norway) can be found on the box set version of Strings Attached
Dead Man Walkin' (Eastenders) (live 19th May 2002)7:00This live version (recorded Life Cafe, Manchester England) was released on Bag Of Tricks (Vol 2) (box set only).
Dead Man Walkin' (Eastenders) (live 28th May 2004)7:11This live version (recorded The Astoria, London England) was released on The Truth, The Whole Truth and Nuthin' But The Truth and on Behind The Shades. Not on the box set.

On Track Notes on Style, Tone, and Format (rough draft)

 "On Track" series -Notes on Style, tone and formatWord count for the series is a minimum of 40 000 up to a maximum of 60 000 for artists with many albums.  

You are also asked to fill a 16 page picture section.

Tone and Content

The series is designed to provide a contrast between solid, factual information and critical analysis. How these two balance is up to the author (in conjunction with the publisher, of course). None of this is set in stone, so if what I say belowdoes not chime in with what you want to do, let's discuss it. 

However, please note the followingas rules of thumb:

Basic album credits are given at the beginning of each chapter (see below). It is not necessary to give credits for each track UNLESS this provides useful insight into how the track was created.

Discussion of live performance variations in arrangements (for instance) are very useful, but there's no need to list every gig or tour the trackwas played at. 

Track and album timings are an optional extra. They are not compulsory. Writing credits are important, though.

Every artist has peaks and troughs, but part of the ethos of the series to treat every album with respect. Poor or unsuccessful albums must be discussed in the same way as good ones, where possible.

HOWEVER do not get bogged down on CD bonus tracks and demos, unless they give genuine insight, though these should be listed. It's the songs on the original albums that people will want to hear about in detail.

Arrive at abalance between discussion of music and lyrics. Do not get bogged down in too much analysis of lyrical content.

Using quotes from the artist or other critics can be very useful, but do not rely on them. We want to hear the author's voice in the book. 

HOWEVER...This is not the time to give us your revisionist take on the artist, so all strong opinions -good and band -MUST be justified, either by argument or by quoting from external sources. Remember that purchasers will -in the main -will be fans wanting to read positive comments. 

On track series - Notes on Style and Tone.pdfFormatGeneral Introduction

This should set out the artist's work in context and give a brief history if appropriate, discussing overall changes in musical style. You should also set out what you are aiming to achieve in the book, plus any quirks the reader needs to be aware of.

For each studio album, we want UK and US information by default, plus the country of origin if relevant (eg. Canadian or Australian chart places and release datesfor artists from those countries)

Dates should be in US style (Eg. 26 April 1973).

For each album. Credits.Title.Release date (UK and US if different)Personnel: (name and instruments played)Recorded at: Studio name, location, datesProduced by: NameAny other significant credits: (eg. Engineers)Chart placings -(eg. UK -5, USA -did not chart)Current edition: (eg. EMI CD)IntroductionPlace the album in context. 

Discuss it's musical direction, its success, line up changes and critical reception. How do you feel about it and why?SongsName off track.

Writing creditsAny other credits (eg, guest musicians, chart placings if releases as a single) can be included in the text. 

The text may be anything from500 words to a single line depending its complexity and place in the canon. 

Bonus tracks and demos included on CD special editions should be covered briefly.Live albums, DVDs and other media

These should be discussed in a separate chapter at the end of the book. Some may be worthy of extensive coverage, others may be dismissed in one line.Again, this is not set in stone, so if in doubt, ask.

Acknowledgements and Bibliography

Useful if you can fit them in. On track series - Notes on Style and Tone.pdf The Colour sectionSee my separate note regarding picture research. You are asked to provide enough pictures to fill a 16 page colour section. In most cases this will be about 25 pictures.Thesewill be the only pictures in the book. There is no budget to pay for photo library pictures except for the cover, so it is necessary to be creative. 8 pages will be acceptable in some circumstances.  On track series - Notes on Style and Tone.pdf 3 of 5 

Friday, May 26, 2023

Day Tripper, Ian Hunter, Missing In Action, and on Bag Of Tricks (Vol 1)

 

Ian performing this Beatles classic is hard to find and unfortunately the sound quality is not the best. It is a terrific song though which upon listening and due to its rarity may be worth a listen. 

Ian Hunter CD: "Missing In Action"

Sleeve and track listing

Burning Airlines/NMC PILOT 52. (3 stars!)

Disc 1: Missing In Action

  1. Life After Death (4:37)1
  2. Ships (6:47)1
  3. Letter To Britannia From The Union Jack (3:03)2
  4. We Gotta Get Out Of Here (3:44)3
  5. While You Were Looking At Me (4:23)4
  6. (I'm The) Teacher (4:02)5
  7. American Music (3:49)5
  8. Day Tripper (5:15)5
  9. Tell It Like It Is (6:26)4
  10. Pain (5:54)4
  11. Women's Intuition (6:14)4
  12. Wild East (4:30)6
  13. Na Na Na (5:05)6

Running time: 63m 55s

Disc 2: Collateral Damage

  1. FBI (4:57)1
  2. Once Bitten Twice Shy (4:56)1
  3. When The Daylight Comes (6:18)2
  4. Laugh At Me (3:41)2
  5. I Wish I Was Your Mother (6:26)3
  6. Cleveland Rocks (6:15)2
  7. Bastard (6:19)2
  8. Standin' In My Light (4:44)2
  9. Angeline (4:13)1
  10. All The Way From Memphis (7:17)2
  11. Walkin' With A Mountain/Rock 'n' Roll Queen (4:22)2
  12. All The Young Dudes (3:40)2
  13. Slaughter On 10th Avenue (2:51)3

Running time: 66m 05s

1 Recorded My Father's Place, Roslyn NY 12th June 1979

2 Recorded Park West, Chicago IL 22nd June 1979

3 Recorded Rockpalast TV Show, Grugahalle, Essen Germany 19th April 1980

4 Recorded The Cabaret, San Jose CA 16th December 1989

5 Recorded Rock and Roll Heaven, Toronto ON 11th June 1988

6 Recorded Rock and Roll Heaven, Toronto ON 11th November 1987

Collateral Damage bonus disc available with the first 5000 copies only (supposedly).

Review

With Ian's 2-CD Once Bitten Twice Shy anthology hitting the shelves, and the resulting press coverage, this CD has been rush-released in a desperate attempt to cash in on all the publicity. It showcases a CD's worth of previously-unreleased live material - indeed, songs that have never been released in "live" form before.

The disc opens strongly enough, with a blistering version of Life After Death and a beautiful version of Ships and Letter To Britannia. After that, the sound quality heads south - the sound balance is all wrong on We Gotta Get Out Of Here and if Ellen Foley is present (Ian's acknowledges here, so I assume she is) then she is completely inaudible.

Things get worse for While You Were Looking At Me, while for American Music it sounds like the microphone (yes, we're talking audience recording here folks!) is right in front of the drum kit. In fact, on all these tracks the source has been either an (off-air) FM tape or and audience recording.

Don't get me wrong, therse are all "mice-to-have" tracks, but just don't expect to get the last word in sound quality. In fact, the whole package has a "bootleg" feel to it, right down to the booklet which, despite being written by Campbell Devine still contain the odd typo here and there. Even the title is a nod to glorious bootlegs past (Behind Enemy Lines, anyone?).

Initial copies come with a bonus disc, called Collateral Damage, which is actually much better quality. It is taken entirely from (off-air) FM tapes, and was recorded in Long Island and Chicago. Granted all the material here has appeared in live form before (on Welcome To The Club), but it is certainly interesting to hear these performances from earlier in the tour.

Good tho' this set is, it could have been so much better. It is a shame the original broadcast masters weren't tracked down and used (if any effort was spent searching for them, the booklet doesn't say). I think I'd also have preferred the 1989 San Jose show to have made up Disc 2, as this contains several YUI Orta tracks that have yet to appear in "live" form.

So, in conclusion as a live album this release is let down by the less-than-ideal sound quality. It's better to think of this as an "official bootleg" in which case it is a more worthy release.

Note that there is no indication on the packaging of the presence of the bonus disc. No sticker, '2CD' logo on the case - nothing.

Day Tripper (live 11th June 1988)5:16This live version (recorded at Rock and Roll Heaven, Toronto ON) was originally issued on Missing In Action, and on Bag Of Tricks (Vol 1) (box set only).