PHI 210 Regulating Artificial Intelligence Weapons

The UK just wrote an AI Code of Ethics - certainly a good idea....Max Tegmark (Life 3.0 - Futureoflife.org), Nick Bogstrom (Superintelligence - FutureofHumanity.org) and Michio Kaku (Future of Humanity) and Elon Musk (Tesla/Space X/Neuralink) are all over the regulation of lethal autonomous weapon systems that could potential end humanity.

HUM 111 The Image of Political Power in the Reign of Nerva, AD 96-98

The Image of Political Power in the Reign of Nerva, AD 96-98

CDC, VAERS Data for Mass Vaccination Event

A vulnerable person should take the vaccines. The CDC profile is a person older than 70 with an average of 2.6 "comorbidities," such as diabetes and heart disease. 

The vast majority of the population, with a survival rate of more than 99%, should have as much information as possible to make a risk assessment.

In a typical flu season, more than 160 million Americans are vaccinated and only a small number die after receiving a shot. in 2019, it was 203 people and in 2018 it was 119.

But the question is how do those numbers compare to the death rate from the experimental, emergency-use COVID-19 vaccines.

Between late December 2020 and April 23, a total of 3,362 people were reported to have died after receiving COVID-19 vaccines in the U.S., an average of 30 people every day, according to the federal Vaccine Adverse Events Reporting System, or VAERS.

Critics have argued that VAERS undercounts vaccine injuries.

A report submitted to the Department of Health and Human Services in 2010 concluding that "fewer than 1% of vaccine adverse events are reported" by the VAERS system.

So what is the real number of people who apparently have been killed or injured by the vaccine? Nobody knows that number. 

But it's clear that what is happening now, for whatever reason, is not even close to normal. It’s not even close to what we’ve seen in previous years with previous vaccines.

Dr. Andrew Bostom noted on Twitter the VAERS data shows that the COVID vaccines are 23 times more likely to be associated with hospitalizations and 119 times more likely to be associated with death.

Only one death in the U.S. is associated with the Menveo vaccine, which is given to people around the world, often children, to prevent bacterial meningitis.

But in just the first four months of this year, the U.S. government has recorded more deaths after COVID vaccinations than from all other vaccines administered in the United States between mid-1997 and the end of 2013.

What we’re seeing now as the single deadliest mass-vaccination event in modern history.

If the vaccine injury reporting system is flawed — and it clearly is flawed — why hasn’t it been fixed?

And more to the point, why has there not been an independent vaccine safety board to assess what’s happening and reassure people who stumble across official government numbers on the internet?

HUM 111 GIFs Restore Ancient Ruins to Their Former Glory

GIFs Restore Ancient Ruins to Their Former Glory

Animated gifs

Ian Hunter, Happy Birthday

Happy B-Day

Ian Hunter Social Media

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HUM 111 In the Land of a Thousand Gods: A History of Asia Minor in the Ancient World

In the Land of a Thousand Gods: A History of Asia Minor in the Ancient World

Taming Google Storage

/what-data-are-you-actually-storing-on-google-

HUM 111 REL 210 REL 205 Crucifixion Found

jesus-roman-crucifixion-found

HIS 205 HUM 112 The Color of Music, 1960s (and into the '70s)

Flaming Ember - Westbound #9, 3:39

The Flaming Ember was an American blue-eyed soul band from Detroit, Michigan, who found commercial success starting in the late 1960s.

The group originally formed in Detroit, Michigan in 1964. At that time, they were known as The Flaming Embers, for a local Detroit restaurant. In 1969, they signed with the newly formed Hot Wax Records, (the label founded by Brian Holland, Lamont Dozier, and Edward Holland, Jr.), after the band had recorded for a number of smaller Detroit-area labels since 1965. They recorded for Ed Wingate's Ric Tic label in 1967, but when Berry Gordy, Jr.'s Motown Records purchased Golden Records/Ric-Tic from Wingate, the Flaming Ember chose not to sign with Motown.

The band dropped the "s" from its name and scored a pop and rhythm and blues hit with "Mind, Body and Soul" in 1969 (#26 on the US Billboard pop singles chart), their signature song (and heartland rock antecedent) "Westbound #9" (#24 US pop, #15 US Billboard R&B chart), and "I'm Not My Brother's Keeper" (#34 pop, #12 R&B), all released between late 1969 and late 1970.

Charlie Pride - Kiss an Angel Good Morning, 2:18

Rise to music fame

While he was active in baseball, Pride had been encouraged to join the music business by country stars such as Red Sovine and Red Foley, and was working towards this career. In 1958, in Memphis, Pride visited Sun Studios and recorded some songs. One song has survived on tape, and was released in the United Kingdom as part of a box set. The song is a slow stroll in walking tempo called "Walkin' (the Stroll)".

He played music at clubs in Montana solo and with a four-piece combo called the Night Hawks during the time he lived in Montana. His break came when Chet Atkins at RCA Victor heard a demonstration tape and got Pride a contract. In 1966, he released his first RCA Victor single, "The Snakes Crawl at Night". Nashville manager and agent Jack D. Johnson signed Pride. Atkins was the longtime producer at RCA Victor who had made stars out of country singers such as Jim Reeves, Skeeter Davis, and others. Pride was signed to RCA Victor in 1965. "The Snakes Crawl at Night" did not chart. 

On the records of this song submitted to radio stations for airplay, the singer was listed as "Country Charley Pride". Pride disputes that the omission of a photo was deliberate; he stated that getting promoters to bring in a black country singer was a bigger problem: 

"people didn’t care if I was pink. RCA signed me... they knew I was colored...They decided to put the record out and let it speak for itself.”^[9] 

While living in Montana, he continued to sing at local clubs, and in Great Falls had an additional boost to his career when he befriended local businessman Louis Allen “Al” Donohue, who owned radio stations including KMON, the first stations to play Pride's records in Montana.

Soon after the release of "The Snakes Crawl at Night", Pride released another single called "Before I Met You", which also did not chart. Soon after, Pride's third single, "Just Between You and Me", was released. This song finally brought Pride success on the country charts. The song reached number nine on the US country chart.

Height of his career

The success of "Just Between You and Me" was enormous. He was nominated for a Grammy Award for the song the next year.

In 1967, he became the first black performer to appear at the Grand Ole Opry since harmonica player DeFord Bailey, who was a regular cast member of the Opry from 1925 through 1941, and made a final appearance in 1974.

Between 1969 and 1971, Pride had eight singles that simultaneously reached number one on the US Country Hit Parade and also charted on the Billboard Hot 100: "All I Have to Offer You (Is Me)", "(I'm So) Afraid of Losing You Again", "I Can't Believe That You've Stopped Loving Me", "I'd Rather Love You", "Is Anybody Goin' to San Antone", "Wonder Could I Live There Anymore", "I'm Just Me", and "Kiss an Angel Good Mornin'". The pop success of these songs reflected the country/pop crossover sound that was reaching country music in the 1960s and early 1970s, known as "Countrypolitan". In 1969, his compilation album, The Best of Charley Pride, sold over one million copies, and was awarded a gold disc. Ultimately, Elvis Presley was the only artist who sold more records than Pride for the RCA label.^[9]

Pride sang the main soundtrack song "All His Children" for the Paul Newman-directed film Sometimes a Great Notion in 1970. The film starred Newman and Henry Fonda and received two Oscar nominations in 1972, one being for the song that Pride sang.^[19]

"Kiss an Angel Good Mornin'"

In 1971, he released what would become his biggest hit, "Kiss an Angel Good Mornin'", a million-selling crossover single that helped Pride land the Country Music Association's prestigious Entertainer of the Year award, as well as Top Male Vocalist. He won CMA's Top Male Vocalist award again in 1972.

"Kiss an Angel Good Mornin'" became Pride's signature tune. Besides being a five-week country number one in late 1971 and early 1972, the song was also his only pop top-40 hit, hitting number 21, and reaching the top 10 of the Adult Contemporary charts, as well.

Sharon Pitt, University of Delaware

sharon-pitt-vp-for-it-and-cio-at-ud

HIS 205 Keynesianism and Macroeconomics, Depression

https://online.hillsdale.edu

HUM 111 Johannes Gutenberg

johannes-gutenberg-the-steve-jobs-of-his-time

HUM 111 112 Suicide of Europe

/suicide-europe

Event Management and Planning Software

free-event-planning-software-make-you-rockstar

10-event-planning-software

Wild Apricot, paid solution.

HUM 111 Polybius's Histories

http://www.bmcreview.org

HUM 111 Tragedy of the Reformation

Tragedy of the Reformation

HUM 111 Flavian Age of Imperial Rome

Flavian Age of Imperial Rome

REL 205 REL 210 Japan Buddhists Funeral Service for Robot Dogs

/in-japan--a-buddhist-funeral-service-for-robot-dogs

.nationalgeographic.com

HUM 111 YouVisit Rome VR

www.youvisit.com/tour/rome