Personnel, Introduction, Ian Hunter, The Hunter Ronson Band – BBC Live In Concert

Personnel

• Bass – Patrick Kilbride
• Drums – Steve Holley
• Engineer – Dave Mulkeen
• Guitar, Backing Vocals – Mick Ronson
• Guitar, Vocals – Ian Hunter
• Keyboards – Howard Helm
• Producer – Pete Ritzema

Soundtrack Burning America

Memphis, Tennessee, Chuck Berry

Long distance information, give me Memphis, Tennessee
Help me find the party trying to get in touch with me
She could not leave her number, but I know who placed the call 
'Cause my uncle took the message and he wrote it on the wall

Help me, information, get in touch with my Marie
She's the only one who'd phone me here from Memphis Tennessee 
Her home is on the south side, high up on a ridge
Just a half a mile from the Mississippi Bridge

Help me, information, more than that I cannot add
Only that I miss her and all the fun we had
But we were pulled apart because her mom did not agree
And tore apart our happy home in Memphis, Tennessee

Last time I saw Marie she's waving me goodbye
With hurry home drops on her cheek that trickled from her eye 
Marie is only six years old, information please
Try to put me through to her in Memphis, Tennessee

Over You, Michael Riah

Just a Man, Michael Riah

Purgatory, Ian Hunter

Soap 'n' Water, Ian Hunter

You Nearly Did Me In, Ian Hunter

I Was in The House When The House Burned Down

I may be old and I may be bent
But I had the money till it all got spent
I had the money till they made me pay
Then I had the sense to be on my way
I had to stay in the underground
I was in the house when the house burned down

I was in the house when the house burned down
I met the man with the thorny crown
I helped Him carry his cross through town
I was in the house when the house burned down

I Was In The House When The House Burned Down

Warren Zevon

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(Warren Zevon)
I had the shit till it all got smoked
I kept the promise till the vow got broke
I had to drink from the lovin' cup
I stood on the banks till the river rose up
I saw the bride in her wedding gown
I was in the house when the house burned down

I may be old and I may be bent
But I had the money till it all got spent
I had the money till they made me pay
Then I had the sense to be on my way
I had to stay in the underground
I was in the house when the house burned down

I was in the house when the house burned down
I met the man with the thorny crown
I helped Him carry his cross through town
I was in the house when the house burned down

I was in the house when the house burned down
I met the man with the thorny crown
I helped Him carry his cross through town
I was in the house when the house burned down

I had the shit till it all got smoked
I kept the promise till the vow got broke
I had to drink from the lovin' cup
I stood on the banks till the river rose up
I saw the bride in her wedding gown
I was in the house when the house burned down

Personnel, Introduction, Ian Hunter, Check #, Ian Hunter & the Rant Band Live in the UK 2010

Ian Hunter and the Rant Band: Live in the UK 2010 was released in September 2014 thanks to Trudi since Ian had no idea the tracks were being recorded at the time. The same month the Band played British, Scandinavian, and American dates. In October 2010 Ian toured the UK with his regular Rant Band coupled with a string quartet, playing an acoustic set. As an unplugged release it stands out from the other available live albums. The tracks are a mix of old and new, with the older tracks benefitting from the acoustic arrangement, and are typical of Ian concerts, some old, some new, and a mix of slow and fast numbers.

Ian Hunter On Track Sonicbond Publishing, TheDoctorOfDigital@pm.me

Personnel, Introduction, Ian Hunter, BBC Live, the actual 9th Album, 2nd Live

Bibliography

Diary of a Rock 'n' Roll Star (Lead Singer for Mott the Hoople) by Ian Hunter, Panther (1972).

All the Young Dudes: Mott the Hoople and Ian Hunter: The Official Biography by Campbell Devine, Cherry Red (2003).

Have Guitars . . . Will Travel: A Journey Through the Beat Music Scene in Northampton 1957-1966 by Derrick A. Thompson & William Martin, Whyte Tyger Publications (2009).

Fun and Dangerous: Untold Tales, Unseen Photos, Unearthed Music from My Father's Place 1975-1980 by Steve Rosenfield & Michael Eppy Epstein, MRG Ventures, Inc. (2010). We've Got A Great Future Behind Us by Tom Price (Editor), CL Publishing, (2013). Diary of a Rock 'n' Roll Star by Ian Hunter, Omnibus Press (2018).  Rock 'n' Roll Sweepstakes: The Authorized Biography of Ian Hunter (Volume 1): Mott’s the Story by Campbell Devine, Omnibus Press (2019). Rock 'n' Roll Sweepstakes: The Official Biography of Ian Hunter (Volume 2) Hunter by Proxy by Campbell Devine. Omnibus Press (2021). Ian Hunter: Complete Recordings Illustrated (Essential Discographies) by AP Sparke, APS Publications (2019). Mott The Hoople and Ian Hunter in the 1970s: Decades by John Van Der Kiste,  Sonicbond Publishing (2022). Ian Hunter Stranded In Reality by Campbell Devine (Editor), Proper Records, (2016).  Ian Hunter Once Bitten Twice Shy booklet by Campbell Devine (Editor), Columbia Records (2000).  From the Knees of My Heart The Chrysalis Years 1979-1981 Track by Track by Ian Hunter, Chrysalis, (2012).  http://www.hunter-mott.com/ by Adrian Perkins, Copyright © 1998-2022. https://ianhunter.com/ 2023 All Rights Reserved. Just A Buzz by Justin Purington (1995-2001) The Outsider Vols. 1-8, Sven Gusevik (1992-1999) Mott the Hoople fanzine (October 1990).

Introduction, Notes on Style, Tone, and Format for the On Track Series

In the realm of rock 'n' roll, where legends are born and icons take the stage, there exists a rare breed of musician who defies conventions, blazes trails, and leaves an indelible mark on the hearts of fans worldwide. And in the midst of this electrifying tapestry of musical brilliance stands a figure whose name reverberates through classic rock and beyond: Ian Hunter.

Imagine, if you will, a sonic alchemist with a pen in one hand and a guitar in the other, crafting lyrical landscapes that transcend time and space. Ian Hunter, the singer-songwriter extraordinaire, has been the mastermind behind some of the most exhilarating rock anthems ever recorded. From the soaring melodies of "All the Young Dudes" to the gritty passion of "Once Bitten, Twice Shy," his music has stirred souls, ignited revolutions, and united generations under a common love for the power of rock 'n' roll.

But there's more to Ian Hunter than just his musical prowess. With his trademark shaggy hair and mischievous grin, he embodies the very essence of rock 'n' roll rebellion. He's the renegade poet who dares to challenge societal norms, the troubadour who fearlessly wears his heart on his sleeve, and the enigmatic figure whose stories resonate with audiences far and wide.

In this captivating journey through the life and songs of Ian Hunter, we'll delve deep into the tales behind the music—the triumphs, the tribulations, and everything in between. We'll uncover the secret inspirations that fueled his creative fire, the tumultuous relationships that shaped his artistry, and the untold stories that have remained hidden in the shadows of rock 'n' roll folklore.

Prepare to embark on a rollercoaster ride of emotions as we traverse the highs and lows of Ian Hunter's extraordinary career. From sold-out arenas to intimate clubs, from collaborations with rock legends to his solo pursuits, we'll unravel the tapestry of his musical evolution and discover the untamed spirit that has made him a living legend.

So, dear reader, fasten your seatbelts, turn up the volume, and get ready to immerse yourself in the world of Ian Hunter—a world where rock 'n' roll reigns supreme, and the magic of music has the power to transcend time. This is not just a book; it's a front-row ticket to the sonic revolution that has defined a generation. Let the music guide you, and let Ian Hunter be your guide through the wild, exhilarating, and soul-stirring journey that lies ahead. Get ready to rock, because the story of Ian Hunter is about to unfold before your eyes and ignite your spirit like never before.

Hunter has produced a significant body of work thus there is quite a bit to be reviewed as this is the first track by track book ever on his artistry. The series is designed to provide a contrast between solid, factual information and critical analysis. The author is a life-long fan and I make no bones about my subjective opinions which are balanced by my academic training. I hope to balance these two critical components into a compelling story about who I consider to be the best representative of classic rock based on the fact that Ian heard the early rock and rollers and was on the scene in Germany similar to the Beatles; moreover, he had his fifteen moments of fame in his first genuine rock band, then a second part of his career he teamed up with one of the best guitarists of the classic rock era, and finally, he produced yet a third period of high quality works that extended the rock genre beyond classic rock. I am overwhelmingly positive about Hunter's music. 

My discussion of live performance are to note the variations in arrangements as Hunter gets bored with doing songs the same way time after time. The writing credits are important and he mostly written by himself during his solo career however he has written for and with other artists and they are noted as well. You can enjoy the studio versions and live alternatives are noted especially with the Stranded In Reality massive box set as accompaniment. 

Every artist has peaks and troughs, but part of the ethos of the On Track series is to treat every album with respect. Poor or unsuccessful albums are discussed in the same way as good ones and with Hunter this is actually an important point because some of his work indicated a later direction that he will return to, anticipate with a mature work, or will revise in his live recordings. 

Due to Hunter's chronic issues with labels, management, and the music business bonus tracks and demos are important and they provide genuine insight into his canon. Numerous songs Ian has noted could have been on the original albums but they didn't fit the theme of the current album and some of his demos, by his own admission, are among his best works. 

I am striking a balance between the discussion of Hunter's music and lyrics. Although I am not bogged down in too much analysis of lyrical content kindly note that the artist is an exceptionally well read individual. Hunter is not an intellectual but indeed is an intelligent individual who makes numerous historical, literary, and cultural allusions. The point of my discussion is to provide the reader with a greater appreciation of Hunter's music. You will hear the author's intellectual voice in the book acknowledging Hunter's intelligent range of thought.  

This book will set out Hunter's work in context and give a brief history as appropriate, discussing overall changes in musical style. I will discuss the musical direction of each album and song, its success, line up changes, and critical reception.  

Here is the way to proceed. Each chapter stands alone thus you can be entertained, educated, and jump in and out at any point of musical direction. Finally, the next step if you have not joined already, is to find a community of Ian Hunter aficionados if not in person then online. Welcome! 

Other Works By G. Mick Smith

The Reasoned Rhythm of Ritual: Dance in early Christianity

Burning America: In the Best Interest of the Children? 

Transitions Ian Hunter to All American Alien Boy, from AAAB to Overnight Angels, to You're Never Alone With a Schizophrenic, Short Back 'N' Sides, All of the Good Ones Are Taken, YUI Orta, The Hunter Ronson Band BBC Live in Concert, Ian Hunter's Dirty Laundry, The Artful Dodger, Rant, Strings Attached, Shrunken Heads, Man Overboard, When I'm President, Fingers Crossed, Stranded In Reality, Defiance Vol. 1,

Ian Hunter's self-titled debut album introduced the world to a raw, untamed talent whose music echoed with an unbridled spirit of rebellion and a burning desire to break free from the shackles of pop conformity that Mott The Hoople had become. With his distinct voice and poetic songwriting, Hunter captivated audiences and left an indelible mark on the rock 'n' roll landscape. But as the echoes of his debut faded into the distance, a new chapter was about to unfold—an evolution that would solidify Hunter's status as a true musical force. Enter the realm of his second album, All American Alien Boy. The release would be an artistic tour de force--and commercial suicide.

After the electrifying journey through All American Alien Boy, where Ian Hunter showcased his visionary artistry and poetic prowess, the stage was set for the next chapter in his musical odyssey. As the dust settled and the echoes of his second album lingered in the air, a new wave of sonic exploration beckoned. Brace yourselves for the exhilarating ride into the realm of Overnight Angels, Ian Hunter's third LP that would once again push the boundaries of rock 'n' roll and elevate his artistry to new heights. Prepare to be swept away by the raw energy, soul-stirring melodies, and thought-provoking lyrics that define this next chapter in Ian Hunter's remarkable musical legacy. And, another LP that seemed like the death knell of commercial success.

Witness the phoenix-like transformation as Ian Hunter evolves from the rebellious rock energy of Overnight Angels to the unparalleled brilliance of You're Never Alone With a Schizophrenic. Like a lightning bolt of musical innovation, Hunter sheds his former skin, embracing a new sonic identity that is both audacious and electrifying. With infectious hooks, relentless energy, and thought-provoking lyrics, this album is a sonic revolution that defies conventions and propels Hunter into the stratosphere of rock legends. Collaborating with legendary producer and guitarist extraordinaire Mick Ronson, Hunter unleashes a sonic tapestry that melds rock into a genre-defining masterpiece. From the anthemic "Cleveland Rocks" to the soul-stirring introspection of "Ships," each track is a testament to Hunter's unparalleled artistry and an invitation to immerse yourself in his captivating world. Brace yourself for a wild ride that will leave you exhilarated and forever in awe of Ian Hunter's musical genius.

Ah, the enigmatic Ian Hunter, a true rock 'n' roll poet with a knack for sonic storytelling. Let's embark on a journey through his musical evolution, shall we? Picture yourself in the vibrant late '70s, where the infectious energy of Hunter's "You're Never Alone with a Schizophrenic" pulsates through the airwaves. With its irresistible hooks and unabashedly honest lyrics, this album catapulted Hunter into the spotlight as a solo artist. But just as the '70s gave way to the '80s, Hunter welcomed us to a new chapter with "Welcome to the Club." Here, the atmosphere shifts, as Hunter delves deeper into his live act, songs that revisit his impressive catalog, a few old chestnuts, and several new songs, captivating us all with fresh arrangements, and at the top of his game with the incredible talent of Mick Ronson with his touring band. Hunter's artistry blossoms even further. Welcome to the club indeed! Prepare to embark on a thrilling musical odyssey as Ian Hunter transcends the boundaries of his acclaimed last studio album "You're Never Alone With a Schizophrenic" and ventures into uncharted sonic territory with the enigmatic new studio masterpiece "Short Back 'N' Sides." Like a magician waving his wand, Hunter reinvents himself once again, embracing an eclectic blend of new wave, pop, and daring experimentation. With infectious melodies, introspective musings, and a fearless spirit, he unveils a collection of songs that captivate and surprise. Collaborating with visionary Mick Jones as the producer and Mick Ronson on guitar, Hunter fearlessly blurs the lines of genre, inviting listeners into a world of sonic adventure. From the vulnerable depths of "Rain" to the irresistible allure of "Theater of the Absurd," each track showcases his boundless creativity and unyielding commitment to pushing the boundaries of his art. Prepare to be enthralled as Ian Hunter weaves his musical magic, leaving you craving for more of his audacious brilliance. And more came with the double CD with thirteen extra tracks and different mixes.

Brace yourself for an exhilarating musical journey as Ian Hunter takes us on a captivating transition from the daring sonic landscapes of "Short Back 'N' Sides" to the infectious allure of "All of The Good Ones Are Taken." Like a master storyteller, Hunter weaves a musical narrative that traverses the realms of rock, pop, and timeless melodies. With his signature wit and charm, he invites us into a world where love, longing, and self-discovery intertwine. From the electrifying energy of "Something's Goin' On" to the heartfelt introspection of "All of the Good Ones Are Taken," each track unveils a new layer of Hunter's artistry. Collaborating with a team of exceptional musicians, he crafts a sound that is both nostalgic and contemporary, blending catchy hooks, soul-filled harmonies, and infectious rhythms. With his inimitable voice and magnetic stage presence, Hunter effortlessly captivates audiences, leaving them yearning for more of his irresistible musical magic. So fasten your seatbelts and get ready for a thrilling ride as Ian Hunter ignites the stage with his timeless melodies and undeniable charisma, proving once again that he is a true icon of rock 'n' roll.

Prepare to be transported on a sonic voyage as Ian Hunter takes us on a mesmerizing transition from the infectious hooks of "All of the Good Ones Are Taken" to the rocking allure of "YUI Orta." Like a musical chameleon, Hunter sheds his previous musical skin and ventures into uncharted territories, embracing a fusion of harder rock, and introspective up tempo rockers. With his signature wit and poetic lyricism, he delves deep into the human experience, exploring themes of love, loss, and self-reflection. From the anthemic power of "American Music" to the soul-stirring beauty of "Sweet Dreamer" each track reveals a new facet of Hunter's multifaceted artistry. Collaborating with a cadre of brilliant musicians, he creates a rich tapestry of sound, weaving together intricate melodies, evocative guitar solos, and his unmistakable gravelly voice. With each note, Hunter mesmerizes listeners, inviting them into a world where emotions run deep and musical landscapes ignite the imagination. So don't fear the reaper and surrender to the sonic journey as Ian Hunter captivates your soul with his unparalleled storytelling and musical prowess, proving once again why he is a true legend of rock 'n' roll.

The Hunter Ronson Band BBC Live in Concert follows YUI Orta.

Ah, my dear music enthusiast, before mentioning the tragedy, let's embark on a wild and vibrant journey through the eclectic musical landscape of Ian Hunter's artistic evolution. Picture yourself in the early '90s, where the pulsating beats of "YUI Orta" resonate with a fusion of Hunter's rock roots and a touch of modernity. This album, with its gritty guitars and infectious hooks, showcases Hunter's knack for crafting anthems that ignite the spirit. But hold on tight, for we're about to take an exhilarating detour into the exhilarating realm of live performances with "The Hunter Ronson Band BBC Live in Concert." Here, the atmosphere crackles with raw energy as Hunter teams up with legendary guitarist Mick Ronson, delivering a powerhouse performance that sets the stage ablaze. The transition from "YUI Orta" to this scintillating live experience is akin to stepping into a time machine, transporting us to a world where the music roars with a ferocious intensity, and the crowd's euphoria becomes palpable. So, my friends, get ready to be swept away by the electrifying chemistry between Hunter and Ronson as they unleash a sonic tornado upon the stage. Prepare to witness a musical spectacle that will leave you breathless and craving more. The Hunter Ronson Band BBC Live in Concert is a testament to the magic that happens when two rock 'n' roll legends collide. Brace yourselves, for this is a wild ride you won't want to miss!

Studio YUI Orta to the next studio which is Dirty Laundry.

Get ready to dive headfirst into a sonic whirlwind as Ian Hunter leads us through a captivating transition from the thematic depths of "YUI Orta" to the raw and gritty brilliance of "Dirty Laundry." Like a musical alchemist, Hunter conjures a potent blend of rock 'n' roll rebellion, bluesy swagger, and introspective musings that will leave you breathless. Shedding his artistic skin once again, he emerges with a renewed vigor and a hunger for sonic exploration. From the electrifying riffs of "Another Fine Mess" to the haunting introspection of "Red Letter Day," each track unveils a new layer of Hunter's artistic evolution. Collaborating with a stellar lineup of musicians, he infuses his music with infectious energy, blistering guitar solos, and his signature growl. With his poetic lyrics and magnetic stage presence, Hunter weaves a tale of rebellion, passion, and unapologetic authenticity. So fasten your seatbelts and prepare to be swept away as Ian Hunter delivers a sonic assault that will ignite your senses and leave you yearning for more of his musical brilliance. The laundry is about to get dirty, and you won't be able to resist diving into the intoxicating world of Ian Hunter's "Dirty Laundry."

Prepare to embark on a thrilling musical journey as Ian Hunter takes us on a captivating transition from the gritty and rebellious world of "Dirty Laundry" to the enchanting and introspective realm of "The Artful Dodger." Like a master storyteller, Hunter weaves a tapestry of sonic delights, blending rock 'n' roll bravado, intricate melodies, and thought-provoking lyricism. Shedding the shackles of conformity, he embraces a newfound artistic freedom, diving into the depths of his creative soul. From the infectious tale of "Resurrection Mary" to the fanciful musings of "Skeletons (In Your Closet)," each track unfolds like a chapter in a captivating novel, inviting listeners to delve into the complexities of the human experience. Collaborating with a cadre of exceptional musicians, Hunter crafts a sound that is at once nostalgic and fresh, weaving together lush arrangements, evocative guitar solos, and his unmistakable, soulful voice. With each note, he takes us on a journey of self-discovery, questioning societal norms and exploring the essence of what it means to be an artist. So, strap in and surrender to the magic as Ian Hunter mesmerizes with his musical prowess and captivating storytelling, proving once again that he is a true master of his craft. Get ready to lose yourself and run it up and down the flagpole numerous times in the enchanting world of "The Artful Dodger."

Prepare to be taken on a thrilling sonic rollercoaster as Ian Hunter leads us through a captivating transition from the enchanting world of "The Artful Dodger" to the unapologetic and politically charged British landscape of "Rant." Like a musical revolutionary, Hunter unleashes his passionate spirit and fearless voice, tackling social issues with a ferocious intensity. From the infectious groove of "Still Love Rock and Roll" to the introspective environment of "Purgatory," each track becomes a rallying cry for justice and a call to action. Collaborating with a powerhouse lineup of musicians, Hunter creates a sonic landscape that fuses rock, pop, and social commentary into a rebellious and electrifying sound. With his iconic rasp and poetic lyricism, he shines a spotlight on the injustices of the world, challenging listeners to question the status quo. From scathing political commentary to personal introspection, Hunter's music becomes a vessel for change, inspiring and provoking thought. So buckle up and prepare to be immersed in the raw and unfiltered brilliance of "Rant" as Ian Hunter fearlessly takes a stand and ignites a musical revolution that will leave you inspired, empowered, and ready to join the fight. Get ready to rant with your voice and embrace the power of music as Ian Hunter leads the charge with his unrelenting passion and unwavering artistry.

Prepare for an unpredictable journey as Ian Hunter takes us on a thrilling transition from the electrifying political realm of "Rant" through the enchanting detour of "Strings Attached" and into the personal carnival of "Shrunken Heads." Like a musical chameleon, Hunter defies categorization and fearlessly explores new sonic territories, leaving us breathless with anticipation at every twist and turn. From the explosive rockers of "Roller Ball" to the haunting melodies of "Your Way," each track is a testament to Hunter's boundless creativity and his refusal to conform to musical norms. Collaborating with a cast of extraordinary classically trained musicians, he weaves together a tapestry of sounds that is equal parts raw and refined, blending infectious hooks, searing guitar solos, and his unmistakable, gravelly vocals. With his thought-provoking lyrics and unapologetic storytelling, Hunter delves into the depths of human emotion, tackling themes of love, loss, and the complexities of the modern world. As the album seamlessly transitions into the mesmerizing detour of "Strings Attached," we find ourselves immersed in a symphonic wonderland, where Hunter's songs are reimagined with lush orchestral arrangements that add a new dimension of grandeur and majesty. And then, with a whirlwind of anticipation, we step into the personal carnival of "Shrunken Heads," where Hunter's lyrical prowess and his social acumen take center stage. Each song becomes a spine bending tale, filled with vivid characters, and haunting melodies that send shivers down your spine. So fasten your seatbelts and prepare for a rollercoaster ride of emotions as Ian Hunter leads us through the mesmerizing transition from "Rant" to "Shrunken Heads." Get ready to be captivated, enchanted, and slightly unsettled as Hunter defies expectations and takes us on a musical journey unlike any other.

The Truth, The Whole Truth and Nuthin' But The Truth

regular touring band. Much more representative of a live Ian Hunter show, it was recorded at just one gig, The Astoria on 28th May 2004

The Journey

final number (All The Way From Memphis) where Ian is joined onstage by Joe Elliott (Def Leppard) and Brian May (Queen).

Ah, my fellow music connoisseurs, get ready for a delightful journey as we transition from the mesmerizing symphonic arrangements of Ian Hunter's "Strings Attached" to the raw, unadulterated rock 'n' roll experience of his magnum opus, "The Truth, The Whole Truth and Nuthin' But The Truth." Picture yourself in a grand concert hall, the air filled with the enchanting melodies of Hunter's timeless compositions, beautifully woven together with the lush tapestry of orchestral strings. As the strings gracefully dance through our hearts, we find ourselves longing for more. And fear not, dear friends, for Hunter answers our call with a thunderous explosion of guitars, drums, and an unyielding spirit at The Astoria on 28 May 2004. Here, Hunter sheds the symphonic trappings and delivers a sonic manifesto that oozes with authenticity and unfiltered passion with his regular touring band. The transition between these two albums is like stepping from the elegant ballroom to the sweat-soaked intimacy of a packed rock venue, where the energy crackles in the air and Hunter's unmistakable voice roars like a lion; this release is representative of a live Ian Hunter show. So, my dear music lovers, fasten your seatbelts and prepare for a musical whirlwind that will leave you exhilarated and craving for more. Hunter digs deep for "The Journey" is the culmination of Hunter's artistic prowess, a testament to his unwavering dedication to the truth and a sonic testament that will shake you to your very core. Brace yourselves, for Ian Hunter is about to unleash a musical storm that will ignite your soul and leave you forever changed. Is it possible? Yes! For the final number "All The Way From Memphis" Ian is joined onstage by Joe Elliott (Def Leppard) and Brian May (Queen)!

Prepare to embark on a captivating and enthralling musical odyssey as Ian Hunter leads us from the rocking realm of "The Truth, the Whole Truth, and Nothing But the Truth" to the more personal "Shrunken Heads." Like a master puppeteer, Hunter skillfully weaves his musical threads, combining the elegance of arrangements by Andy York with the gritty edge of rock. As the production dances and intertwines with his raw, raspy vocals, a magical synergy is born, creating a sonic tapestry that is both mesmerizing and exhilarating. From the grandeur of "Soul of America" to the haunting beauty of "Guiding Light," each song becomes a journey through a labyrinth of emotions, guided by Hunter's masterful storytelling and poetic lyricism. As the album seamlessly transitions into the personal atmosphere of "Shrunken Heads," we find ourselves immersed in a world of fascinating characters and brilliant melodies. Hunter's wit and charm shine through, as he delves into the shadows of human nature, exposing the peculiarities and quirks of society with a sly grin. With his signature blend of rock 'n' roll swagger and lyrical depth, Hunter invites us to step into his peculiar universe, where nothing is as it seems and every note carries a touch of mystery. Now is a thrilling ride as Ian Hunter takes us from the raw realm of "Truth" to the fascinating spectacle of "Shrunken Heads." Get ready to be captivated and thrilled as Hunter's musical magic unfolds before your very ears.

Hold on tight as we sail through the exhilarating transition from the personal journey of "Shrunken Heads" to the adventurous seas of "Man Overboard" with Ian Hunter as our fearless captain. Casting aside the shackles of convention, Hunter charts a bold new course, infusing his rock 'n' roll spirit with a fresh sense of exploration. As the waves of "The Great Escape" crash against the shores of our imagination, we find ourselves caught in a tempest of infectious melodies and thought-provoking lyrics. Hunter's unmistakable voice cuts through the air like a ship's horn, guiding us through tales of love, longing, and the triumphs and tribulations of the human spirit. With each track, he unfurls his musical sails, harnessing the power of soaring guitars, thunderous rhythms, and soul-stirring harmonies. From the rollicking energy of "Win It All" to the introspective beauty of "Arms and Legs," Hunter's songwriting prowess is on full display, captivating us with his poignant observations and witty wordplay. As we navigate the musical currents towards "Man Overboard," we are met with an ocean of sonic surprises, where Hunter's adventurous spirit leads us to uncharted territories of sound. So, prepare to hoist the anchor, set sail, and let the winds of Ian Hunter's music carry you on a voyage of discovery, where every twist and turn unveils a new musical horizon. As we leave the shore behind and embrace the open waters, the spirit of adventure beckons, and Hunter's music becomes our guiding star. Get ready to plunge headfirst into the waves of "Man Overboard" and let the music take you on a journey you'll never forget.

Get ready to witness a triumphant musical coronation as Ian Hunter navigates the exhilarating transition from the adventurous seas of "Man Overboard" to the commanding view up on The Hill of "When I'm President." Like a rock 'n' roll visionary, Hunter wears the crown of his artistry with undeniable authority, leading us through a sonic landscape that is both captivating and empowering. From the infectious hooks of "Black Tears" to the celebratory anthem of "When I'm President," each track resonates with a sense of purpose and determination. Collaborating with a formidable assembly of musicians, Hunter orchestrates a sound that is at once grand and intimate, weaving together lush arrangements, searing guitar solos, and his signature, soulful voice. With his incisive lyrics and captivating storytelling, he becomes a voice of the people, shining a spotlight on the trials and triumphs of everyday life. From heartfelt ballads to rebellious rockers, Hunter's music becomes a rallying cry for change, urging us to stand tall, reclaim our power, and shape a better future. So brace yourself for a majestic sonic journey as Ian Hunter ascends to the throne of musical greatness with "When I'm President." Get ready to raise your voice, embrace your inner strength, and join the movement as Hunter's music becomes the soundtrack to a revolution of hope, passion, and unwavering belief in the power of rock 'n' roll.

After President Ian Hunter and The Rant Band: Live in the UK 2010

But this isn't just a nostalgic trip down memory lane; it's a celebration of the enduring power of rock music. "Fingers Crossed" is more than a live recording; it's a testament to the unyielding spirit of Ian Hunter and The Rant Band, who continue to captivate audiences with their unwavering passion and raw talent. So, my friends, prepare to be transported to the front row of an unforgettable rock spectacle. Let the music wash over you, the nostalgia seep into your bones, and the present moment come alive with the timeless magic of classic rock. Get ready to raise your hands, sing along, and let the exhilarating journey of "Live in the UK 2010 Fingers Crossed" ignite your soul. Are you ready to rock? Then let the show begin!

Get ready for a musical leap of faith as Ian Hunter takes us on an extraordinary transition from the commanding realm of "When I'm President" to the captivating tapestry of "Fingers Crossed." Like a sonic tightrope walker, Hunter balances his artistry with grace and audacity, pushing boundaries and embracing new sonic territories. From the infectious energy of "That's When the Trouble Starts" to the introspective summation of rock star life in "Dandy," each track reveals a new layer of Hunter's musical evolution. Collaborating with a stellar ensemble of musicians, he weaves together a sound that is equal parts timeless and fresh, blending catchy melodies, searing guitar solos, and his unmistakable, soulful voice. With his insightful lyrics and poetic storytelling, Hunter paints a vivid picture of the world around us, addressing themes of love, resilience, and the indomitable spirit of rock 'n' roll. Like a beacon of hope, his music resonates with a sense of optimism and the belief that, even in the face of uncertainty, better days lie ahead. So cross your fingers and dive headfirst into the captivating realm of "Fingers Crossed" as Ian Hunter fearlessly pushes the boundaries of his artistry and invites us to embark on a musical journey filled with passion, heart, and the unwavering spirit of rock 'n' roll. Get ready to be captivated, inspired, and uplifted as Hunter's music becomes a guiding light in a world that is filled with both challenges and infinite possibilities.

Prepare to embark on a mind-bending musical odyssey as Ian Hunter transcends the boundaries of time and space, guiding us through a mesmerizing transition from the captivating realm of "Fingers Crossed" to the kaleidoscopic universe of "Stranded In Reality." Like a sonic sorcerer, Hunter conjures a musical tapestry that defies expectations, blending elements of his entire career, unreleased gems, live tracks, acoustic releases, string arrangements, straightforward rock, and video extravaganzas. With his poetic lyrics and thought-provoking storytelling, Hunter delves into the depths of human existence, exploring themes of love, disillusionment, and the relentless pursuit of truth. So fasten your seatbelts and prepare for a mind-altering journey as Ian Hunter leads us through the cosmic gateway of his career with "Stranded In Reality." Get ready to lose yourself in the swirling depths of his music, where reality and creativity intertwine, and the possibilities are as infinite as the universe itself.

Get ready to defy the boundaries of conventional rock as Ian Hunter takes us on a thrilling transition from the expansive career embracing universe of "Stranded In Reality" to the ranting and rebellious sonic landscape of "Defiance Vol. 1." Like a musical renegade, Hunter unleashes an audio revolution that challenges the limitations of personhood and ignites a fire in our hearts. From the blistering rocking of "Defiance" to the introspective musings of "No Hard Feelings," each track is a testament to Hunter's unwavering spirit and his refusal to conform. Collaborating with a dynamic star-studded collection of famous rock musicians, he crafts a sound that is both timeless and contemporary, blending infectious hooks, searing guitar solos, and his unmistakable, raspy vocals. With his sharp lyrics and fearless storytelling, Hunter becomes a voice for the underdogs, the dreamers, and the nonconformists, urging us to embrace our individuality and stand up against the personal and social forces that seek to suppress us. Each song is a battle cry, a call to arms, a personal rant, as Hunter leads us on a musical insurgency that defies expectations and pushes the boundaries of rock 'n' roll. So strap yourself in and join the ranks of the defiant as Ian Hunter unfurls the electrifying saga of "Defiance Vol. 1." Get ready to unleash your inner rebel, raise your fists in solidarity, and embrace the power of music as a catalyst for personal transformation. The personal revolution starts now, and Hunter is leading the charge with an unyielding spirit and an infectious energy that will leave you hungry for Vol. 2.

Ian Hunter On Track for Sonicbond Publishing, TheDoctorOfDigital@pm.me

Personnel, Introduction, Ian Hunter, 1st LP

Personnel:
Ian Hunter - vocals, rhythm guitar, piano, percussion, backing vocal
Mick Ronson - lead guitar, organ, Mellotron, mouth organ, bass guitar
Geoff Appleby - bass guitar, backing vocals
Dennis Elliott – drums, percussion
Pete Arnesen – piano, keyboards
John Gustafson – bass guitar on "Lounge Lizard"

Produced at: AIR, London, by Ian Hunter and Mick Ronson
Release date: 28 March 1975
Running time: 40:38
Current edition: CBS
Highest chart places: UK #21, US #50.

Prepare to embark on a thrilling journey through the musical landscape as we delve into the captivating tale of Ian Hunter's first solo album, unleashed upon the world in 1975. With the startling departure from his troubled band Mott The Hoople, Hunter and the Spider with the platinum hair Mick Ronson joined forces to set sail on their own musical odyssey. Picture this: Ian finds himself settling into the cozy quarters of Rockland, New York, under the watchful eye of Bobby Colomby, the jazz-rock fusion drummer, record producer, and television presenter extraordinaire, while Colomby ventures out on tour. It is within these walls that Hunter's creative spirit ignites, giving birth to the compelling compositions of "Did You See Them Run" and the poetic origins of "Shades Off," which would eventually morph into the beloved track "Boy." 

As Ronson takes flight back to England to assemble a new band, he plants the seeds of collaboration, suggesting the addition of Geoff Appleby on bass, a former comrade from their shared days in The Rats back in Hull. Intriguingly, Hunter's quest for the perfect rhythm leads him to the swing-infused prowess of drummer Dennis Elliott, whose jazz-rock background struck a harmonious chord with Ian's musical vision. But the ensemble wouldn't be complete without the enchanting melodies brought forth by the gifted Hans-Peter Arnesen, plucked from his student realm to join the ranks as the master of keys. 

While Mott had already secured the legendary Air Studios in London for their next endeavor, Hunter and Ronson daringly opt for a different path, venturing into uncharted musical waters. So, brace yourselves for the untold tales, the musical alchemy, and the sheer audacity that birthed Ian Hunter's eponymous solo debut. The stage is set, the characters assembled, and the magic awaits as we unveil the captivating tale of Ian's first bold step into the realm of his own musical destiny. Get ready to be swept away on a whirlwind of sonic exploration as we dive deep into the heart and soul of this remarkable musical journey.

Ian signed a solo deal with Columbia with the idea of taking some of the work he started in Mott but with his new direction in mind. The leftover Mott material included Colwater High, One Fine Day, and Lounge Lizard. The latter song was re-recorded with the new band but the first two songs were not completed. Nine original tracks emerged and the album was released in British record stores on 28 March 1975. 

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Below, you'll see the beginning of a chapter from Camel On Track. Nude (1981)

Personnel:
Andrew Latimer: guitars, vocals, flute, koto, keyboards
Colin Bass: bass, vocals
Andy Ward: drums, percussion
Additional musicians:
Mel Collins: flute, piccolo, saxophones
Duncan Mackay: keyboards
Jan Schelhaas: piano on 'The Last Farewell'
Chris Green: cello on 'Drafted'
Gasper Lawal: percussion on 'Changing Places'
Herbie Flowers: tuba on 'The Homecoming'
Produced at: Abbey Road Studios by Camel, Tony Clarke and Haydn Bendall Engineer: Tony Clarke
Release date: 31 January 1981
Running time: 44:45
Current edition: Esoteric Recordings ECLEC 2159
Highest chart places: UK: 34, USA: Did not chart

Nude is a full-on return to form, always ranked highly in the fans' Camel hall of fame. Unlike Breathless and I Can See Your House From Here, the album is all of a piece stylistically and sees Camel replanting their melodic roots.

Nude is, of course, Camel's first concept album since The Snow Goose. Properly, I understand from a Japanese acquaintance, pronounced 'Noo- duh', on first listening, buyers might have been a little befuddled by the lack of content relating to bare skin, but Noo-duh it is. Musically, Nude points

9

the way to the direction Latimer would head once he and Susan Hoover struck out on their own. It's an extended composition based on historical fact and not, as with The Snow Goose, on fictional characters. It was Hoover who pitched the story to Latimer, and he bought in immediately, saying on CV: (AUTHOR GUIDE NOTE: CV is a DVD of interviews, and had previously been introduced by the author, so more detail in the attribution is not needed again.)

Like Snow Goose, it was easy again for me to do as it has a story, characters, different things that happen in the plot. I find that very easy to do writing- wise; you get a very clear picture if the story or the emotion or whatever you're trying to do is strong.

To recap on that story, Nude – or Hiroo Onoda, to use his given name – was a Japanese army intelligence officer who, through missed communications, was unaware that WWII had ended, and believing that the war was ongoing continued, along with three compatriots, guerrilla operations on the Philippines island of Lubang. Although in October 1945, he and the others read a dropped leaflet stating that Japan had surrendered, they ignored the content believing this to be propaganda. By 1972, the last of his cohort was dead after a shoot-out with local police, and Nude was alone.

Eventually, after nearly 30 years in hiding and subsisting on the land, with occasional forays into villages to steal food, he met another Japanese, Norio Suzuki, who had made it his mission to find Nude. Australian public broadcaster, ABC, interviewed Onoda in 2010, where he said:

This hippie boy Suzuki came to the island to listen to the feelings of a Japanese soldier. Suzuki asked me why I would not come out.

After a month of to-ing and fro-ing, with Nude refusing to surrender without official orders from a superior officer, the Japanese government eventually located his commanding officer from WWII, who flew to Lubang and presented him with the necessary orders.

I'll cover what happened after Nude's return to Japan in the track-by-track breakdown. Importantly, bear in mind that Hoover used quite a bit of artistic licence story-wise, as her narrative has Nude alone on the island from the word go. This shouldn't detract from the music, though.

Moving to the recording, after a run of Top 40 albums, even without that coveted hit single, Decca decided to throw the dice and put significant money behind the effort. So, it was that for their eighth album that Camel finally made it to the Shangri-La of studios – Abbey Road, home of The Beatles, Dark Side Of The Moon and Al Stewart's Year Of The Cat. On CV Andy Ward said of the facility:

Recording at Abbey Road was a dream come true ... the engineers were superb.

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And, also on CV, Latimer also remembers the time fondly:
We were in the canteen and then Paul McCartney came and sat at our table

and started drinking tea with us – so you try to be normal, but it's difficult.

A change of studio also brought yet another change of producer, this time Haydn Bendall who was the incumbent chief engineer at Abbey Road, working alongside Tony Clarke, who was best known for producing The Moody Blues from 1966 to 1979.

In case you were wondering, yes, you read the personnel listing above correctly: Latimer plays keyboards on Nude; who knew he had it in him? Duncan Mackay takes lead keyboard duty covering for Watkins and Schelhaas, who were unavailable for the sessions due to other commitments. Schelhaas, however, did manage to contribute to one track, playing piano on 'The Last Farewell'. Returning to Mackay, he had played keys for Steve Harley & Cockney Rebel, 10cc and then Kate Bush on her first three LPs, so he was a great fit. Ward and Bass, of course, remained the rhythm section.

In addition to the core band, Mel Collins rejoined in the studio accompanied by the handful of minor contributors listed above.

The accompanying Europe-only tour was a sell-out, spanning January to April 1981, ending with a second 'by popular demand' appearance at the Hammersmith Odeon.

Apart from the Hammond work – which is all Mackay – and Schelhaas' named contribution on 'The Last Farewell', due to Latimer's keyboard credit, it's hard to unpick exactly who is playing what on the album. So without access to the studio logs, unless the player is obvious, I'm not going to speculate.

One final observation: it's notable that Latimer doesn't at any stage in the composition, stray into any Japanese musical tropes, and for this, he is to be applauded. It would have been easy to overdo the koto or to include some wadaiko drums or nokhan flutes, but instead, he lets the story stand on its own. Nude is a better work for it.

'City Life' (Latimer, Hoover)
Japan is at war, and the 20-year-old Nude is living in Tokyo but has not yet been called up. He muses over the direction his nation is taking and hankers after the past, when the country had more traditional values.

Starting off with a sort of 'reverse lullaby' comprising Bass's fretless bass over synth arpeggios, the vocals soon arrive and then the pace changes as Ward joins in with a steady driving beat mirrored by some chirpy electric piano, the effect nicely calling to mind someone waking up and hearing the bustle of the city outside. Over a couple of verses, Bass and Latimer seamlessly share the singing duties and sound great together (you can hear Bass's slight lisp at times, which is a stamp of authenticity for his parts).

The bridge brings another change of tempo with a fun tambourine and drum exchange between left and right channels, leading into a classic Collins

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sax break, one more sung verse, and ending with a restrained solo from Latimer that's unusually far back in the mix. We're up and running, all systems 'Go'.

'Nude' (Latimer)
At 23 seconds long, this is the shortest track in the Camel catalogue. Apart from that claim to infamy, there's not much more to say: 'Nude' should properly be regarded as simply an outro to 'City Life', comprising as it does, nothing but some distorted synth, and logically should have been tacked on to that track. Puzzling.

Table of Contents, Ian Hunter, On Track, Introduction, Sonicbond Publishing

1. Logical Order of Progression, perhaps boring

2. Non-sequential, questioning answering questions

3. Segmentation by Content Use over teaching

How to Create Compelling Content

Five Ways to Create a Captivating Chapter Content

1. Keep the audience entertained, dramatic

2. You Have to Educate pain, conflict, lesson crescendo

3. You Need to Be a Magnet, attract and repel 

4. You Have to Give Hope, show struggle, fumble, mistakes

5. You Have to Give People Next Steps, interact for relationship, community

In the realm of rock 'n' roll, where legends are born and icons take the stage, there exists a rare breed of musician who defies conventions, blazes trails, and leaves an indelible mark on the hearts of fans worldwide. And in the midst of this electrifying tapestry of musical brilliance stands a figure whose name reverberates through classic rock: Ian Hunter.

Imagine, if you will, a sonic alchemist with a pen in one hand and a guitar in the other, crafting lyrical landscapes that transcend time and space. Ian Hunter, the singer-songwriter extraordinaire, has been the mastermind behind some of the most exhilarating rock anthems ever recorded. From the soaring melodies of "All the Young Dudes" to the gritty passion of "Once Bitten, Twice Shy," his music has stirred souls, ignited revolutions, and united generations under a common love for the power of rock 'n' roll.

But there's more to Ian Hunter than just his musical prowess. With his trademark shaggy hair and mischievous grin, he embodies the very essence of rock 'n' roll rebellion. He's the renegade poet who dares to challenge societal norms, the troubadour who fearlessly wears his heart on his sleeve, and the enigmatic figure whose stories resonate with audiences far and wide.

In this captivating journey through the life and times of Ian Hunter, we'll delve deep into the tales behind the music—the triumphs, the tribulations, and everything in between. We'll uncover the secret inspirations that fueled his creative fire, the tumultuous relationships that shaped his artistry, and the untold stories that have remained hidden in the shadows of rock 'n' roll folklore.

Prepare to embark on a rollercoaster ride of emotions as we traverse the highs and lows of Ian Hunter's extraordinary career. From sold-out arenas to intimate clubs, from collaborations with rock legends to his solo pursuits, we'll unravel the tapestry of his musical evolution and discover the untamed spirit that has made him a living legend.

So, dear reader, fasten your seatbelts, turn up the volume, and get ready to immerse yourself in the world of Ian Hunter—a world where rock 'n' roll reigns supreme, and the magic of music has the power to transcend time. This is not just a book; it's a front-row ticket to the sonic revolution that has defined a generation. Let the music guide you, and let Ian Hunter be your guide through the wild, exhilarating, and soul-stirring journey that lies ahead. Get ready to rock, because the story of Ian Hunter is about to unfold before your eyes and ignite your spirit like never before.

Dedication, Ian Hunter, On Track, Sonicbond Publishing

 This book is dedicated to Michael Riah who from the first time I heard him sing his song "Whose My Friend" I knew what he was here for:

"As iron sharpens iron, so a friend sharpens a friend."

Proverbs 27:17 New Living Translation 

Ride Into the Sun, Ian Hunter, Honky Tonk Messiah, Def Leppard